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Tanglewood concert reviews

Earth, Wind, & Fire at Tanglewood

June 18, 2016 Tanglewood concert review by Dave Read

Earth, Wind, & Fire, a band that practically embodies as many musical genres as Tanglewood’s Popular Artist Series represents, made its second appearance at the summer home of the Boston Symphony Orchestra June 18, 2016. By scheduling them in between concerts by Dolly Parton and Brian Wilson, Tanglewood presented us the opportunity to enjoy a geographically inspired sampler of American music ranging from country, to city, to beach over a single weekend.

Earth, Wind & Fire at Tanglewood June 18, 2016. Photo: Dave Read, BerkshireLinks.com
Earth, Wind, & Fire at Tanglewood, June 18, 2016. Photo: Dave Read, BerkshireLinks.com

Maurice White and Philip Bailey form Earth, Wind, & Fire in 1971

Since their 1971 founding in Chicago by Maurice White and Philip Bailey, Earth, Wind, & Fire has scored six Grammies as a group and been inducted nto the Rock and Roll Hall of Fame; founder White, who died in February, Bailey and several other members of the band also are in the Songwriters Hall of Fame. White’s brother Verdine is the group’s bassist, and at the other end of the sonic spectrum are the horn section, Gary Bias on saxophone, Bobby Burns, Jr. on trumpet, and Reggie Young on trombone. Besides all the oh-so-danceable funky music, straight-out R & B, beautiful harmonies and thrilling falsetto singing, EWF puts on a show for your eyeballs too with pulsating lights and streaming digital graphics. After this show, you would think the Koussevitsky Music Shed would need some down time, but that won’t happen until September!

Tanglewood photos Earth, Wind, & Fire concert

About Tanglewood: box office, tickets, getting there, nearby hotels

Follow this link for Berkshires travel information, including public transportation within Berkshire county and Amtrak and Peter Pan bus schedules.
Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds.

Here is a dynamic map of the Tanglewood grounds, with photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Dolly Parton at Tanglewood Pure & Simple

June 17, 2016 Tanglewood concert review by Dave Read

Dolly Parton opened the 2016 Tanglewood season on her Pure & Simple tour, attacting an impressive audience on a picnic-perfect June evening; watching her fans stream into the Koussevitsky Music Shed was the closest we’ll ever get to seeing a Mardi Gras parade in Lenox. In a show that lasted 2.5 hours and included 28 songs, she also told so many stories that you wish you’d brought along a stenographer. Dolly Parton emerged some fifty years ago onto a fairly cloistered country western scene which she helped bust loose into a dominate place in pop culture, becoming head of a global entertainment business while maintaining her charm, her artistic integrity, and her figure!

Dolly Parton’s Pure & Simple tour

Ms. Parton’s Pure & Simple tour is organized around a CD, to be released in August, which contains a suite of love songs she wrote to celebrate her fiftieth wedding anniversary. Love seems to be Dolly Parton’s organizing principle, and much of her patter relates to her love of her own family, her childhood home in the Great Smoky Mountains of Tennessee, and then to the family all of us comprise. After that, she talks alot about her rhinestone costumes and her boobs. But perhaps the most remarkable thing she talked about is the Imagination Library, which she established in 1995 for the benefit of children in her childhood home, as a tribute to her illiterate father. Since then, it has given away 100,000,000 books, many to children.

Making up Dolly’s band were Richard Dennison, Tom Rutledge, and Kent Wells (and a drum machine) and besides displaying her beautiful vocal technique, Ms. Parton also played a half-dozen instruments, including banjo, which she played backwards on one number! Especially endearing was a medley of ’60s songs, including The Night They Drove Ol’ Dixie Down, mentioning her affection for Levon Helm and The Band, and announcing that his daughter, the musician Amy Kelm, was in attendance.

Seiji Ozawa photos Tanglewood July 12, 2002

February 2, 2016 Article by Dave Read
Now that Seiji Ozawa hass been added to the 2016 Tanglewood schedule, here is another look at photos from Maestro Ozawa’s 2002 Tanglewood farewell press conference.

On Friday afternoon July 12, 2002, at the start of a weekend of special programs in celebration of his 29 year tenure with the BSO, Maestro Ozawa met with the press just outside the Koussevitsky Music Shed, where these photos were taken. By the 2002 season, he was music director emeritus; his last concert at Tanglewood as music director was Salome on Aug. 8, 2001.

Seiji Ozawa’s Tanglewood farewell press conference, July 12, 2002; photos by Dave Conlin Read.

2016 Tanglewood tickets

Tickets for the 2016 Tanglewood season, $12-$124, go on sale January 24 starting at 10 a.m. through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA. Tanglewood brochures with complete programs and information on how to order tickets will be available in early February by calling 617-638-9467. For further information, please call the Boston Symphony Orchestra at 617-266-1492 or visit www.tanglewood.org. 2016 Tanglewood schedule – PDF.

Tanglewood grounds map

Tanglewood grounds mapHere is a dynamic map of the Tanglewood grounds, with photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

How to get to the Berkshires

Follow this link for Berkshires travel information, including public transportation within Berkshire county and Amtrak and Peter Pan bus schedules.

Mahler’s Eighth marks TMC’s 75th

August 12, 2015 Tanglewood concert review by Dave Read

The culmination of the Tanglewood Music Center’s 75th anniversary celebration was the Aug. 8, 2015 performance of Mahler’s Eighth Symphony, the Symphony of a Thousand, with BSO music director Andris Nelsons conducting 363 musicians, including the TMC Fellows, the Tanglewood Festival Chorus, eight leading vocal soloists, the Boston University Tanglewood Institute Chorus, the American Boychoir, and members of the BSO. Not only was this concert an impressive spectacle, but it was as thrilling a musical experience as one could imagine.

Latin hymn combined with Goethe’s Faust

Andris Nelsons and Klaus Florian Vogt with the TMCO performing Mahler's Symphony No. 8, 8.8.15 (Hilary Scott)
Andris Nelsons and Klaus Florian Vogt with the TMCO performing Mahler’s Symphony No. 8, 8.8.15 (Hilary Scott)
The composition is in two parts: the 8th century hymn for the Christian feast of Pentacost, Veni, creator spiritus, and the final scene from Goethe’s Faust, which itself covers three millenia of history. Mahler found the connection for that improbable coupling in the third stanza of the hymn, “Accende humen sensibus,/Infunde amorem cordibus!” (“Illuminate our senses,/Pour love into our hearts!”) Judging by the response of the audience in the Shed and accross the Lawn, that invocation was achieved – everybody smiled broadly, standing for wave after wave of applause.

For a brief video of this performance, visit streambso.org, where you’ll see that Mahler’s 8th opens loud and bright, organ and choir invoking a church-like setting. But however universal every doctrine claims its scope, this performance of Mahler’s 8th would bear no doctrinal delimitation; this celebration was no church-going event! Mahler’s treatment of Goethe’s text is practically a sampler of musical styles and ideas, leading to the final chorus. The journey is spellbinding, building naturally to a close, nothing forced, no straining, the accumulation of one beautiful sound after another until your senses – and your soul, have been thouroughly engaged and satisfied.

  • Boston Symphony orchestra – Aug. 8, 2015 program
  • Koussevitsky Music Shed, Tanglewood
  • Andris Nelsons conducts Mahler Symphony No. 8
  • The Leonard Bernstein Memorial Concert
  • Tanglewood Music Center Orchestra
  • Alumni of the Tanglewood Music Center
  • Erin Wall, soprano (Magna Peccatrix)
  • Christine Goerke, soprano (Una poenitentium)
  • Erin Morley, soprano (Mater Gloriosa)
  • Mihoko Fujimura, mezzo-soprano (Mulier Samaritana)
  • Jane Henschel, mezzo-soprano (Maria Aegyptiaca)
  • Klaus Florian Vogt, tenor (Doctor Marianus)
  • Matthias Goerne, baritone (Pater Ecstaticus)
  • Ain Anger, bass (Pater Profundus)
  • Tanglewood Festival Chorus, John Oliver, conductor
  • Boston University Tanglewood Institute Chorus, Ann Howard Jones, conductor
  • American Boychoir, Fernando Malvar-Ruiz, conductor
  • Tanglewood tickets:
  • Box Office: 617-266-1200; 888-266-1200
  • Website: tanglewood.org

About Tanglewood: box office, tickets, getting there, nearby hotels

Follow this link for Berkshires travel information, including public transportation within Berkshire county and Amtrak and Peter Pan bus schedules.
Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds.

Here is a dynamic map of the Tanglewood grounds, with photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Tanglewood on Parade Aug. 4, 2015

August 7, 2015 Article by Dave Read

This year’s Tanglewood on Parade Gala Concert, the Tanglewood Music Center’s main fundraising event, was an especially satisfying evening of music, even if a little sad because John Williams’ health prevented his participation. With the Boston Pops conductor laureate absent, tonight’s audience was made to settle for three conductors, instead of the usual four, but got to witness the Pops debut of Boston Symphony Orchestra music director Andris Nelsons.

The program got underway with Nelsons leading the BSO in selections from Berlioz, Ravel, and Shostokovich. Maestro Nelsons didn’t address the audience tonight, but he certainly was communicative, displaying an uncanny vocabulary of conducting gestures. So fluid and captivating as he cajoles and exhorts the orchestra, this successor to Koussevitsky makes you think he may, as well, be a disciple of Balanchine.

In the next segment, popular guest conductor Stephane Deneve led the Fellows of the TMC in three John Williams compositions. Deneve was both funny and eloquent as he talked about his own affection for Williams and in introducing the compositions, including Just down West Street … on the left, Williams’ gift in honor of the TMC’s 75th anniversary. The Violin Concerto, a tribute to his first wife whao had just died, featured longtime Pops concertmaster Tamara Smirnova taking a rare turn as soloist.

Boston Pops pay tribute to Frank Sinatra
The festivities resumed after intermission with Keith Lockhart conducting the Boston Pops in Kabalevsky’s Overture to Colas Breugnon, followed by A Tribute to Frnk Sinatra: “Ole Blue Eyes at 100.” Not only were the Pops’ great jazz chops again in evidence, but so was the clarity of their enunciation, as you could practically hear the lyrics in their renditions of Chicago and New York, New York.

Star Wars and the Cold War

Pops conductor Lockhart then introduced the Pops debut of Maestro Nelsons for the performance of another John Williams selection, Throne Room & finale from Star Wars. During the Reagan Administration, “Star Wars” became the nickname for the Strategic Defense Initiative, one of the closing initiatives of the Cold War, which is notable because Reagan’s Secretary of State, George P. Shultz, a frequent Tanglewood patron, was in the audience tonight.

Tchaikovsky’s 1812 Overture

No matter how exciting the program and how brilliant the performances, everything else is merely prelude to Tchaikovsky’s 1812 Overture, which always concludes the gala concert, itself the finale to the annual day-long celebration of music at Tanglewood. We heard an unusual rendition of it here last month, performed by the Boston Pops Brass & Percussion section and two world-champion drum and bugle corps, the Blue Devils of California and the Boston Crusaders. While that was great fun, tonight’s rendition, under Nelson’s impassioned direction, was truly breathtaking.

  • Tanglewood tickets:
  • Box Office: 617-266-1200; 888-266-1200
  • Website: tanglewood.org

July 10, 2015 Tanglewood program Boston Symphony Orchestra

July 13, 2015 Article by Dave Read

The Friday July 10, 2015 program in the Koussevitsky Music Shed with the Boston Symphony Orchestra gave the lie to the popular misconception that symphonic concerts are most suitable for blue hairs and codgers. They simply are not, under any circumstance, but especially tonight, when, funnily enough, performer’s hair styles were most evident. Guest conductor Stéphane Denève has such an energetic technique that his curly hair sometimes flies around like you’d see in a cartoon, and tonight’s soloist, Cameron Carpenter, sports a modified Mohawk, so that from the audience it looks like there’s a fat exclamation mark on his skull!

Stephane Deneve and Cameron Carpenter with the BSO at Tanglewood, July 10, 2015; photo:Hilary Scott.
Stephane Deneve and Cameron Carpenter with the BSO at Tanglewood, July 10, 2015; photo:Hilary Scott.
Maestro Denève introduced the program with an ease and aplomb that relaxed everybody and elicited laughs, especially each time he over-pronounced the ending ‘s’ in Saint-Saëns, “because that’s the way we French pronounce Saint-Saënsssssss!” Also, he made the most unusual request that the audience refrain from applauding at the end of the opening piece, Barber’s Adagio for Strings, because he wanted a seamless segue into Poulenc’s Concerto for Organ, Strings, and Timpani in recognition of the friendship between the composers and the fact that the pieces were completed within months of each other. “Then, you are free not to refrain from applauding,” he said.

Cameron Carpenter and the International Touring Organ

Stephane Deneve and Cameron Carpenter with the BSO at Tanglewood, July 10, 2015; photo:Hilary Scott.
Stephane Deneve and Cameron Carpenter with the BSO at Tanglewood, July 10, 2015; photo:Hilary Scott.
The audience honored Denève’s request, the pieces meshed beautifully, and Carpenter and the BSO gave such an exhilarating performance that the attendant ovation fairly blew the roof off the joint. The Julliard-educated organist has set upon a course of revolutionizing the instrument’s place in the classical repertoire, to the extent that he had a new one built – International Touring Organ, monumental cross-genre digital organ built by Marshall & Ogletree. Carpenter holds the 2012 Leonard Bernstein Award, and is the first solo organist ever nominated for a Grammy.

  • Boston Symphony orchestra – July 10, 2015 program, Koussevitzky Music Shed
  • Stéphane Denève conducts Barber, Poulenc and Saint-Saëns featuring organist Cameron Carpenter
  • Tanglewood tickets:
  • Box Office: 617-266-1200; 888-266-1200
  • Website: tanglewood.org

Whereas the Poulenc presented a showcase particularly for the overwhelming power of the organ, in the evening’s concluding piece, Saint-Saëns demonstrates its versatility in playing a less dominant and supporting role with the orchestra.

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