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Tanglewood concert reviews

Yo-Yo Ma leads master class at Tanglewood, August 7, 2019

By Dave Read – Sometimes life in the Berkshires will feel like an embarrassment of riches, such as when you can attend a master class led by Yo-Yo Ma, as brilliant as any artist at work today, held in Ozawa Hall at Tanglewood, a structure and a setting as aesthetically pleasing as J.S. Bach’s Suites for Unaccompanied Cello. The event is part of Tanglewood’s new Tanglewood Learning Institute OpenStudio program.

Yo-Yo Ma and TMC Cello Fellow Isaac Berglind (Hilary Scott)

Ma’s students were three Tanglewood Music Center Fellows – Isaac Bergland from Seattle, WA, Shangwen Liao, from Shenzen, Guangdong, China, and Ethan Brown from NY, NY. Each is nearning the end of intense musical educations and the beginnings of careers as cellists. You can’t help but think that such a class must be at least a little bit like a minor league baseball player getting batting tips from Ted Williams – in front of an audience!

Yo-Yo Ma, TMC Fellow Shangwen Liao, and an audience member explore the Bach Cello Suites (Hilary Scott)

And speaking of audience, when Mr. Ma asked for someone who does Irish dance, a gentleman leapt on stage faster than you can spell shilelagh! Whether or not Ma was expecting someone like the frenetic Michael Flatley, his volunteer performed a brief sample of “old time Irish dancing” while Shangwen Liao played a Bach passage.

TMC Cello Fellow Ethan Brown and Yo-Yo Ma during the TLI OpenStudio (Hilary Scott)

The exercise demonstrated some fine point of musicianship that lays beyond my ken, but also revealed something about spontaniety and being available for fun. As wonderful as their playing sounded to these undisciplined ears, each student also manifest aplomb and good humor – even glee, as when Liao grinned a thumbs-up to the audience while Maestro Ma swapped chairs for him!

Yo-Yo Ma cello master class Ozawa Hall; Dave Conlin Read photo.
Yo-Yo Ma cello master class Ozawa Hall; Dave Conlin Read photo.

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2019 Tanglewood schedule

The Boston Symphony Orchestra has released the schedule for the 2019 season at Tanglewood, which will be remembered for the opening of the Tanglewood Learning Institute, the four buildings overlooking Seiji Ozawa Hall on the Leonard Bernstein camopus.

Music director Andris Nelsons will be present for the month of July, conducting 13 programs, including the world premiere of a new work by Kevin Puts, The Brightness of Light, based on letters of Georgia O’Keeffe and Alfred Stieglitz on July 20, and a concert performance of Wagner’s complete Die Walküre on july 27 and 28.

Nelsons leads 2019 Tanglewood on Parade

Article updated July 27, 2019 by Dave Read

Tanglewood on Parade took place on the penultimate Tuesday of July, only the second time this millennium that it hadn’t been scheduled for the first Tuesday in August. Since a good surmise is available, we’ll dispense with the transmission of a query up the media affairs ladder: the Maestro made it happen so he could participate, before returning to Europe for an August full of projects and programs?

BSO Music Director Andris Nelsons conducts the TMCO in Wagner’s Ride of the Valkyries (Hilary Scott)

This is the BSO’s big fundraiser during Tanglewood, so, of course the music director should play a key role in the event, which includes a full afternoon of recitals and performances throughout the sprawling Tanglewood campus.

The evening concert is a spectacle of orchestras/choirs and conductors – four of each: Andris Nelsons and the BSO, Keith Lockhart with the Boston Pops, James Burton and the Boston Symphony Children’s Choir, Thomas Wilkins and the Tanglewood Music Center Orchestra. Providing a preview of the massive Wagner weekend following, Nelsons led the BSO in “The Ride of the Valkyries.”

Thomas Wilkins conducts the TMCO and the BSO in Tchaikovsky’s 1812 Overture (Hilary Scott)

For the grand finale, which culminates in mortar fire and pyrotechnics, Thomas Wilkins leads the combined orchestras in the endlessly renewable 1812 Overture, Tchaikovsky’s paean to a forgotten Imperial deed, which sounds like nothing more than an excuse for a staid ensemble to cut loose and kick out the jams!

Boston Symphony Orchestra
Boston Pops Orchestra
Tanglewood Music Center Orchestra
Boston Symphony Children’s Choir
Andris Nelsons, Keith Lockhart,
Thomas Wilkins, and James Burton, conductors
Program to include
WAGNER “The Ride of the Valkyries”
from Die Walku?re
James BURTON The Lost Words, for children’s
choir and orchestra (world premiere)
TCHAIKOVSKY 1812 Overture

Hotels in the Berkshires

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2019 Tanglewood schedule

The Boston Symphony Orchestra has released the schedule for the 2019 season at Tanglewood, which will be remembered for the opening of the Tanglewood Learning Institute, the four buildings overlooking Seiji Ozawa Hall on the Leonard Bernstein camopus.

Music director Andris Nelsons will be present for the month of July, conducting 13 programs, including the world premiere of a new work by Kevin Puts, The Brightness of Light, based on letters of Georgia O’Keeffe and Alfred Stieglitz on July 20, and a concert performance of Wagner’s complete Die Walküre on july 27 and 28.

2014 July 4 encore How Sweet It Is, video

We got lucky with the end-of-show crowd surge at James Taylor’s July 4, 2014 Tanglewood concert, recording five minutes of fairly steady video to afford a good look at how much fun he is having. Of course, the audio ain’t so hot, but still worth it to catch Lou Marini’s hot sax solo – and related hamming it up!

Milos classical guitar at Tanglewood, July 17, 2019

By Dave Read – Classical guitarist Milos drew a large and appreciative audience to Ozawa Hall on July 16, the third program to feature guitar we’ve enjoyed this season at Tanglewood in the Berkshires, following concerts by Richard Thompson, also in Ozawa Hall and by Rodrigo y Gabriela in the Koussevitsky Music Shed. A full appreciation of the marvelous possibility the guitar affords an artist was apparent in each of those three programs; the opportunity to attend all three almost constitutes an embarassment of riches! (Alas, that’s life in these bucolic hills.)

Ozawa Hall environs during Milos classical guitar concert at Tanglewood; Dave Conlin Read photos.
Ozawa Hall environs during Milos classical guitar concert at Tanglewood; Dave Conlin Read photos.

Twenty years on the Tanglewood beat, we are delighted by the new buildings uphill from Ozawa Hall, blending into the old familiar vista – so soon ago itself an architectural and acoustic revelation.

JT and Yo-Yo on the porch

This video of James Taylor being accompanied by Yo-Yo Ma on Sweet Baby James, recorded Sept. 15, 2008 on the porch of the Red Lion Inn at Stockbridge, is blowing up the Internet – at least my little piece of it!

Richard Thompson at Tanglewood, June 21, 2019

By Dave Read – Richard Thompson strode to center stage in Seiji Ozawa hall June 21, carrying a guitar, which was all it took to fill the august band box with beautiful sound. Besides being a first-ballot shoo-in for the guitar hall of fame, artist division, Thompson also is a master at the art of stagecraft. His 110 minute concert revealed him to be a generous, tenacious, and pretty funny guy. Hip to him since the days of Fairport Convention, this was my first concert, and it was awesome.

  • Buy Richard Thompson music;
  • Read about Richard Thompson at wikipedia.
  • Listen and watch as Richard Thompson performs his classic song “Shoot Out the Lights” on his Lowden guitar and chats with Mark Segal Kemp about his approach to playing both acoustics and electrics.

And somehow, I heard Buddy Holly throughout the show. Something about that big bold acoustic sound* – the quality of the strings, the resonance of the soundboard, the spirit of the one animating the tools of his trade.

It was a sound vein mined to such great effect by Dylan until he got bored with it and veered away in 1965 at Newport to create rock ‘n roll’s first tributary – Dylan music. Meanwhile, back across the pond, Thompson and his mates formed bands with cool names such as Fairport Convention, Steeleye Span and Pentangle.

… to be continued.

*That may be my entry in the redundancy tournament.

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