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Dave Read

Remembering Donald Hall, first thoughts

June 26, 2018 – When the email announcing Donald Hall’s death arrived Sunday morning, I was drafting a letter to him, which would include a blank bookplate for him to sign, for my pre-ordered copy of A Carnival of Losses; Notes Nearing Ninety, which the publisher may be rushing to bookstores now.

In a letter dated 1 November 2016, he wrote, in response to my comment about an essay from the book published on the New Yorker’s website:

“Yup, Double Solitude is in the new book. Last week I sent it to my agent and my editor. I haven’t heard yet. I like the title: “I-89,” with the subtitle Flashparagraphs Speeding Toward Ninety.”

Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray
Donald Hall at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com

At the time, I suppressed the notion that publication may be dragged out in order to capitalize on his death, which this Giant of Poetry had been working against at least since first being diagnosed with cancer in 1989.

My acquaintance with him began in 2012, thanks to the power of another essay published in the New Yorker, Out the Window, from his book Essays After Eighty. I recommended it to a friend, who read it then told me she had taken one of his classes at U. of Michigan in the 1960s. I suggested she send him a note, which she did; he responded right away saying “You probably want to take me to dinner.”

She told him that I was part of the bargain, arrangements were made, and in June 2012 I enjoyed the first of three visits with Donald Hall at Eagle Pond Farm, followed by dinner at restaurants in the vicinity of Wilmot, NH.

Donald Hall and Dave Read at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com
Donald Hall and Dave Read at UNH, Nov. 9, 2017; photo courtesy David J. Murray, ClearEyePhoto.com

We last met in November, at the University of New Hampshire, which held a celebration thanking him for the donation of his papers – comprising 600 cubic feet. He read from his work and also delivered something of a valedictory lecture, advising us of where the best poetry in English may be found.

That event triggered a couple more items that I would be enclosing in the never-to-be-finished note. Donald Hall said something along the lines of that the best poems ever written in English date from the 17th and 18th centuries. I wanted to ask him to list a dozen or so, thinking that I may study them – and maybe even have a go at “translating” them.

When I looked on the UNH website for a transcript of his remarks, I found instead mention that access to his papers would be by his permission, I thought I’d better hurry and get that note in the mail.

Don was a guest on the June 2008 broadcast of A Prairie Home Companion, with Garrison Keillor, at Tanglewood, which I reviewed for BerkshireLinks. That gave me an opening four years later when we met. Telling Don that I had been to that show, I referred to the host as simply “Garrison.” Whereupon Don stopped me in my tracks – “Garrison? He’s always been Mr. Keillor to me.”

A year or so later, after I had read Essays After Eighty, I sent him a note inviting him to visit the Berkshires, perhaps during Tanglewood season. Here’s an excerpt from his reply:

“I wish I could come down your way. [My friend] went down not long ago to look over the old Wharton place. I can’t drive any more, I can hardly walk, and needless to say I can’t fuck. I feel fine as you will discover reading the essays – but I cannot come to Tanglewood with the bachelor Norwegian farmer. He wrote me a dear and hilarious response to my Essays. Thank you and love, Don”

Why, you’re welcome Don, may you rest in peace.

Schadenfreude sucks

Dave Conlin ReadSchadenfreude sucks – but the tempest surrounding the chump with the tallow-toned dome, which is im-fucking-possible not to write about, has resulted in getting a poem published; to wit, Indolent Books accepted The Outer Borough Colonel, Old Bone Spur as their Feb. 12, 2018 entry in the What Rough Beast series.

The Outer Borough Colonel, Old Bone Spur

Having ordered a parade of his own,
Trump is transformed
from Putin’s Puppet,
to Kim’s Clone.

Now, we wonder …

Will he ask bids
for a new pyramid,
or coldly evict, then
re-brand Grant’s Tomb?

He spoils even schadenfreude

I’ll post this ditty here, even though that’ll render it untouchable by most other publications.

#RhymesWithChump

He spoils even schadenfreude,
the balm we measure in scant small doses.
His corrupt domain makes it gush from fire hoses.

an ostrich plume in my tattered beret

That breaks a two year streak of “just missing the mark,” wherein some forty or fifty poems got returned to sender! I shall accept this as an ostrich plume in my tattered beret, now, and stop whining about the dull process of threading the publication-needle.

Dave Read poetry submissions

Harry Connick, Jr. at Tanglewood June 23, 2018

Article updated June 25, 2018 by Dave Read

Harry Connick, Jr. transported the Tanglewood audience Saturday night from the high land overlooking Lake Mahkeenac to the Ninth Ward below Lake Pontchartrain by way of a concert/seminar of nearly two and a half hours that included a second-line parade through the Koussevitsky Music Shed.
Harry Connick, Jr. and band performing at Tanglewood June 23, 2018; Hilary Scott photo.

Is it a coincidence that America’s sole contribution to the world of art – jazz, encompassing the blues (or vice versa) has its origins in the capital of the slave trade, America’s original sin? Probably not, since the two are inextricably linked; my guess is that one is compensation for the other, as if the beauty and transcendent power of jazz is how the universe seeks atonement for the horrors of slavery.

James Booker, Harry Connick Jr.'s piano teacher.We Tanglewood patrons are likely to know as much about life in Latvia as we do about life in New Orleans; thanks to the musicianship and generosity of Mr. Connick and his band, we’ve gotten a taste of life in the Big Easy, without having to pay the dues required to make a living there. Perhaps most poignant tonight was Mr. Connick’s show-and-tell tribute to his childhood piano teacher James Booker, who got the gig thanks to the unconventional administration of justice by the District Attorney, Harry Connick, Sr.! After showing us how Booker taught him the rudiments of “stride” piano playing, he played a wistful Hear Me in the Harmony in tribute.

Other highlights from this show included solos and duets by Johnathan DuBose, Jr. on guitar, Arthur Lantin on drums, Lucien Barbain on trombone, and an amazing display of tap dancing by Mike Hawkins. Allen Touissaint‘s infectious Yes We Can Can was a party. An over-introduced Gospel segment preceded the band’s foray into the audience, for chorus after chorus of When the Saints Go Marching In, with umbrellas waving in genuine second-line fashion.

Wynton Marsalis and Louis Armstrong in the Berkshires

Harry Connick, Jr. spent a summer honing his classical chops here as a teenager, as did fellow New Orleanian Wynton Marsalis (Tanglewood Music Center Fellow 1979). Another denizen of the Crescent City, Louis Armstrong, held forth just down the road during Folk and Jazz Roundtables hosted by Stephanie and Phil Barber, which led to the brief but critically important Lenox School of Jazz – the first of its kind in the world.

[James Booker photo credit: By Lionel decoster – Own work, CC BY-SA 3.0, Link]

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Steven Stills and Judy Collins at Tanglewood June 17, 2018

Article updated June 20, 2018 by Dave Read

Tanglewood schedules present an embarrassment of riches, putting us at risk of fun-overload, which is as dangerous as second-helpings of pecan pie at Thanksgiving. Having covered Tanglewood since the Clinton Administration, we know enough to moderate, not overbook, and to look closely at the lineup so as to avoid regret.

Steven Stills and Judy Collins at Tanglewood June 17, 2018The Boston Symphony Orchestra has listed 15 concerts on the 2018 Popular Artist calendar before Maestro Andris Nelsons opens the BSO’s Tanglewood season on July 6. The first weekend included Roger Daltry and the Boston Pops performing The Who’s Tommy, followed by a show billed as David Crosby and Friends, and then Steven Stills and Judy Collins for Sunday afternoon.

Underwhelmed by last summer’s Pete Townsend/Boston Pops mashup, we eliminated this year’s Who remnant, leaving us to decide between factions of Crosby, Stills, and Nash. We chose the show scheduled for Sunday largely because Tanglewood is the most beautiful music venue in the world on a Sunday in June, but also because we figured Stills’ guitar chops will have aged better than Crosby’s front-man chops.

We were so right about the Sunday afternoon at Tanglewood aspect of our choice, but from what we hear, we missed a pretty exciting show Saturday night!

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Alison Krauss at Tanglewood June 19, 2018

Article updated June 20, 2018 by Dave Read

The original iteration of the Berkshires as a playground for the obscenely rich was during the last quarter of the 19th century, when it became an autumnal retreat for robber barons and other scallywags who’d grown bored of their Newport and Adirondack estates. In terms of man-made seasons, that was it – the Berkshires’ season was late summer/early fall. The Berkshires today, its essential natural resource polluted in perpetuity by G.E. (the corporate criminal kicked off the Dow Jones just this week), scrambles to make a go of things by converting the arts into a commodity.

One hopes this conversion is less harmful than GE’s conversion of the Housatonic River was. But one bit of harm is the spawning of the awkward phrase “shoulder season.” It seems that where a segment of the local population that otherwise would’ve been engaged in corporate communications and other aspects of internal paper-pushing now toil in the obscenely oxymoronic “cultural economy.” As one who traffics in language, I cannot help but wonder if a segment of a shoulder season would be called a “clavical week?”

…on the shoulders of giants

That’s why metaphor is best left alone by people essentially talking business, because if we imagine Tanglewood as something with shoulders, then we see something hideously ugly – one shoulder comprised of fifteen concerts, the other only one. We know PCBs to be endocrine-disrupting, so we’ll have to find somebody else than GE to blame for this skeletal anomaly.

There’s no more beautiful venue in the world than Tanglewood, regardless the season – or metaphor. And speaking of beautiful, Alison Krauss, accompanied by remnats of Union Station and members of the Cox family, regaled a handsome audience on a quintessential June evening with a ninety minute show that amounted to a sampler of her stunning career.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

Hotels near Tanglewood

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

Tanglewood tickets and box office information

Tickets for the 2018 Tanglewood season available through Tanglewood’s website, www.tanglewood.org, SymphonyCharge at 888-266-1200, and at the Symphony Hall Box Office at 301 Massachusetts Avenue, Boston MA.

Getting around the Tanglewood campus

The Tanglewood campus, summer home of the Boston Symphony Orchestra and the Tanglewood Music Center comprises several hundred acres in the towns of Lenox and Stockbridge. It is the location of the Koussevitsky Music Shed and Ozawa Hall, where hundreds of thousands attend concerts and a variety of events, including picnics. We always advise new visitors to arrive early and take their daily walking exercise wandering the beautiful Tanglewood grounds. This dynamic map of the Tanglewood grounds includes photos and information for such points of interest as Aaron Copland Library, Highwood Manor House, The Glass House, and The Lion’s Gate.

Northeast Fiddlers’ Convention at Hancock Shaker Village

Article updated June 27, 2018 by Dave Read

The 1st Annual Northeast Fiddlers Convention convened on June 9, 2018 at Hancock Shaker Village, a co-production with Oldtone, amounting to the most apt pairing of venue and event, especially given the critical role played by music and movement in Shaker life. Dates for the 2nd annual have just been announced – Saturday & Sunday, June 8 & 9, 2019. (Details to follow)

Next year, we’ll assign the 2nd annual convention to someone who can distinguish the sound of a steel guitar and a dobro from fifty paces, and post some discussion about the music played during the event. Meantime, we’re delighted to announce the winners and to show you some pictures from this year’s event.

Prize winners from the Northeast Fiddlers’ Convention at Hancock Shaker Village

Fiddle
1) Ambrose Verdibella
2) Sarah Michel, Southhampton, MA
3) Patrick Peters, New Lebanon, NY

Guitar
1) G. Rockwell, Bridgeport, CT
2) Norman Plankey, Oxford, CT
3) Mat Cherkus, Collinsville, CT

Mandolin
1) John Benjamin, Brattleboro, VT
2) Ambrose Verdibello
3) Norman Plankey, Oxford, CT

Banjo
1) Maggie Shar, Easthampton, MA
2) G Rockwell, Bridgeport, CT
3) Andy Lundeen, Cornwall Bridge, CT

Old-time music in the Berkshires?

From the organizers:Oldtone and Hancock Shaker Village aspire to create a beacon in the Berkshires for Old-time enthusiasts. The first-ever Northeast Fiddlers’ Convention is inspired by the great Southern Old-time music conventions. Participants are invited to jam, learn, compete, eat, dance and celebrate together in an atmosphere of participation. We envision a new annual tradition in the preservation of the rich Old-Time music culture in the Northeast.

This year’s convention features instrument and historical workshops by Bill & the Belles, Nils Fredland, and Tara Linhardt. We are offering picking & singing in the historic round stone barn, instrument contests, jamming, and a square dance with live music from Bill and the Belles, one of the most popular roots bands on the scene today. The Square Dance will be called by renown caller and the Artistic Director of Revels North; Nils Fredland. Historic demonstrations available all day from Hancock Shaker Village.

Hotels in the Berkshires

Berkshires hotelsFind hotels near Tanglewood with user reviews, check amenities, nearby attractions, availability and then book your room reservations at these lodging establishments through our partner, International Hotel Solutions (IHS), the leading provider of secure online hotel reservations.

2018 Tanglewood schedule

The 2018 Tanglewood schedulefeatures a season-long celebration of the centennial of Leonard’s Bernstein’s birth, culminating in the Aug. 25 Bernstein Centennial Celebration hosted by Audra McDonald, with Maestro Andris Nelsons, four guest conductors and soloists Yo-Yo Ma, Midori, and others.

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